On being drawn in

Attended this evening, with two dear friends, the opening of the Bellingham National 2017 exhibit at the Whatcom Museum. An excerpt from my video poem SCRO is in a show on the theme of “Drawing Practice.” The curator, Catharina Manchanda of the Seattle Art Museum, has gone past the usual sense of drawing – an implement marking a markable surface – to investigate all the senses of the verb. What’s it to be drawn on? to be drawn to? to be drawn out? to be drawn into?

There are drawings there in the usual sense. Also torn canvases, their matter physically drawn out.

Kirk Yamahira. Untitled (stretched); 2017. Acrylic, pencil, unweaved, deconstructed on canvas.

And sheets of paper drawn across abrasive surfaces. And one video I loved drawing the lens over road lines at traffic speed. Another video watched light draw on water it appeared raw crude had blotched.

What all my favourites (here’s another

Jenna Lynch. Traveling Within, Feeling Through, Dreaming Beyond; The Lines. Watercolor on paper.

) had in common was a quality of absorption. I was drawn in. There was a mind there, its evidence made it over to my mind, and drew it in closer.

My own piece was caringly placed, in a nook of its own, with – am I imagining this? – a bench to sit on and watch.

I feel a bit of an imposter in a gallery, identify as a poet not a video artist, but I guess I do because it suits me to. “Oh I just stumbled into this by accident, I don’t really know what I’m doing …”

Gimme a break. No one knows what they’re doing. It’s no excuse.

p 7 detail

Seven one-minute vids are up. Check ’em out if you’re in town. And, fourteen still to make, so let me know what you think, if you feel so moved.

Link to the exhibition, and the pieces by Yamahira and Lynch, here.

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headComposter

I write draw teach blog in and from the Pacific Northwest of America.

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